Will work for cake

I drew it for a t-shirt for someone who loves cake. I totally pilfered the lettering style from Caley Ratcliffe.

Eyeball tree #1

Sleeping tree

Arm and pigeon

White black people

You need to be careful about creating imagery of sub-Saharan African societies for British audiences. People tend to generalise about the region and often don’t understand the differences between different African cultures, and even different African countries. During my first year at university, I discovered that around half of my housemates were unaware that Africa is a continent, and not a country.

Lazy journalists and television appeals, for their part, routinely refer to Africa as if it were one homogenous society—poor, disease-ridden, unstable, corrupt and undeveloped—with little internal differentiation save for ‘warring tribes’ and rebel armies. Our ignorance is not only embarrassing; it perpetuates stereotypes that are dangerous for those they (mis)represent.

Photographers and filmmakers also have to be sensitive to the centuries of racist representations of Africans produced by Europe and the ‘developed’ world, of which Resident Evil 5 is just the latest manifestation. Treating black Africans as part of the backdrop for a storyline centred around a white, male, protagonist has a history going back at least as far as Joseph Conrad’s Heart of Darkness, and undermines efforts to bring about social change based on an understanding of Africans as just as human as Europeans.

A series of photographs centred on Tanzanians suffering from albinism—the congenital condition of being born without the melanin pigment that protects our skin from the sun’s UV rays—therefore has a heavy burden of responsibility to bear. And, arresting as these images by Jackie Dewe Mathews undoubtedly are, I’m not sure they fully acknowledge this responsibility.
(http://www.jackiedewemathews.com/stories/zeru_zeru/zeru_zeru.html)

There are two main problems. Firstly, while it is the job of the images to tell the story, the captions do play their part in explaining certain information. Who are these people? Where are they? Why is this happening to them? If information is omitted, it can change the way we consume the story.

Explaining these images, the photographer barely mentions the context or the history behind them. She refers superficially to ‘ingrained prejudice’, giving us the impression that this prejudice is something inherent to Tanzanian society. She briefly mentions ‘the killings that have ravaged Tanzania’ as if they were a tornado or some other natural disaster. In fact, the images and their accompanying information provoke more questions than they answer—and not in a good way.

It is true that albinos are stigmatised throughout many parts of sub-Saharan Africa, often being shunned by their communities and relatives, having to drop out of school because of sight problems, and suffering discrimination when they seek employment. They also face a greatly increased risk of cancer and other health problems because their skin lacks the pigmentation that protects against sun damage.

However, Tanzania has become far more dangerous in recent years after Tanzanian witch doctors have increased trade in albino skin, bones, genitals and hair. These are supposed to possess magical powers and bestow luck upon others. This belief has created a demand for albino body parts, and at least 45 Tanzanian men, women and children suffering from albinism have been killed and mutilated since the beginning of 2008. According to Tanzanian police officials, the violence is worst in rural areas where people tend to be more superstitious. Fishermen reportedly weave albino hairs into their nets, hoping that they will catch more fish.

One healer in northern Tanzania denied that albino body parts form part of the witch doctor tradition in the area, saying, “Yes, I’ve heard of it. But that’s not real witchcraft. It’s the work of con men.” Indeed, it is now commonplace to hear albinos referred to as ‘deals’ because of how lucrative trading their body parts can be. Albinos in Tanzania say they are being hunted and fear for the safety of their families. Already more than 90 people, including four police officers, have been arrested on suspicion of murdering albinos.

The cause of this recent resurgence of superstition is unknown, but authorities have blamed everything from Nigerian films to rising food prices. The killings have even spread over the border into neighbouring Burundi, where at least 10 albinos have been killed and dismembered, their body parts then smuggled into Tanzania.

Government spokesman Salvator Rweyemamu has said that the killings of albinos perpetuate “perceptions of Africa that we’re trying to run away from,” pointing to the positive developments taking place in the country that the government is keen to promote.

Of course, I am not advocating that photographers seek to support government propaganda. But statements like this point to another story that is not being told: a story about uneven economic development and education; about the invention of superstition and the point at which it begins to legitimise acts of great violence. According to 49 year old Samuel Mluge, secretary-general of the grossly under-funded Tanzanian Albino Society, the recent killings are a relatively new development. While albinos in his country have long been targets of discrimination, he said, “we have never feared like we do today.”

There is another story to be told here: a story about the way people deal with physical abnormality, about how we deal with it in Britain and have dealt with it in the past, and how we consume imagery of people we find fascinating and a little frightening. This is the second problem. There isn’t anything intrinsically wrong with looking at pictures of Tanzanians with albinism. But you really need to be presented with the context. Often context is all that stands between insightful commentary and pure voyeurism, as this photo essay clearly shows.

I’d like to think that the photographer’s aim was noble; that she was concerned by the stigmatisation of those born with albinism and wanted to convey this to a wider audience. Indeed, this may well have been her motivation. But somehow, I don’t think it was.

We are drawn to the weird and grotesque; the persistence of freak shows is evidence of that. Fascination with disease, deformity and physical abnormality has a history, certainly, but it also has a psychology and a politics. To be able to gaze upon the image of a person deformed by a genetic condition excites the viewer, while conferring upon him or her the peculiar privileges of distance and detachment.

These photographs are beautiful: expertly composed and thoughtfully lit. But the incredible visual appeal of the photographs actually enhances the objectification of their subjects. Tanzanians suffering from albinism are placed under the spotlight, positioned before our curious eyes while we gawp at their condition, simultaneously enthralled and repelled by the pale pinkness of their skin, mottled with sun damage, set against the healthy brown skin of those around them.

We stare, horrified, at the tumours, scabs and sores erupting on their bodies, and without the self-conscious need to politely look away we would experience in a real-life encounter. We stare unapologetically at the strange beauty contained within these images, feeling pity and concern. We probably do not feel guilty.

The photographer’s brief was to cover a story based somewhere else—not in the UK, not in the homeland of the Royal Photographic Society and the Guardian newspaper sponsoring the endeavour—and it was supposed to be a story that suggested connections between British audiences and the wider world. The winning story certainly suggests a connection, but I’m not sure that it’s the kind of connection originally envisaged.

The connection making the greatest impression on me is the connection with our racist colonial heritage; the one where we treat difference as a spectacle and see Africans as objects. I don’t doubt for a moment that this entirely contradicts the stated aims of the photographer, but I want to challenge the idea that we should be forgiven for our ignorance.

To portray people in Africa—anywhere in Africa—you have to recognise the burden of responsibility that your images will bear. At best, a series of photographs like this will tell an incomplete story. At worst, they will reinforce a dangerous and outdated way of looking at the world, gratifying our most base instincts and objectifying the very people the photographer wished to defend.

Dodgy dealings

Unseen Scenes in Singapore

by Pia Muzaffar and Olly Laughland 

pictures by Alex Jimenez

This article was first published in Poda Poda in December 2007




‘Trespassers will be prosecuted’.

We wrench loose an MDF board covering the once grand entrance, before slipping inside, avoiding the rusty nails. Our feet crunch over broken glass as we peer into the gloom. The ticket booths, smashed to shit, still welcome Mastercard and Visa and still dispense mouldy, discoloured maps. Plastic statues slump, their plastic heads scattered on the floor. ‘I love sex’. ‘Get out’. ‘Bobby and Pris wuz here 99’. The ceiling is falling in, the lights exploded. The tropical undergrowth is slowly reclaiming this misguided business venture. The mosquitos have returned to these stagnant lakes. Giant pink paper horses and blue paper elephants, frozen mid-motion, aflame and collapsing in on themselves.

Perhaps this freakish fairytale was doomed to fail from the start. A tourist attraction designed for Chinese tourism and themed around ancient Chinese imperial history, elaborately carved from plaster of paris and plywood, built in 1980s Singapore, now stands closed a decade later and erased from the national memory.


Like so many Singaporean transgressions, ‘Tang Dynasty City’ remains very much present, but obscured from public view. On the surface, this highly successful city-state embodies the image its government seeks to project: it is clean and clean-living, obedient, polite, orderly and well-planned. Gays, prostitutes, transvestites, the homeless, political dissidents, governmental corruption and national failures – all these get swept under the carpet of state-sanctioned discourse.

The same may be said of the higher education system. When we first started studying here, we were shocked and bemused by the attitudes of the Singaporean students. The learning culture is totally at odds with what we’ve come to expect from our experiences at a British university. In Singapore, we said to each other with a mixture of bemusement and reproach, the students just don’t question anything. They don’t question their lecturers and they don’t question the way the university is run. They don’t question the texts they read, and they shy away from questioning each other. They are excessively respectful of authority, they study way too hard and hardly ever go out, and they ‘strive for excellence’ rather than seeking to critically interrogate established modes of thinking. Dr Chee Soon Juan, a former neuropsychology lecturer at NUS, recalls his frustration with his students. On one occasion he came to class and told them that he was just going to stare at them. So he sat there, and stared. After fifteen minutes of uncomfortable silence, in which not one student challenged him or asked him to begin teaching, he simply got up and left.

Of course, having been in Singapore for over three months now, this characterisation of ‘the Singaporean Student’ – as compliant, submissive and unquestioning – has revealed itself to be somewhat simplistic. In the terminology of James Scott, there are definitely both ‘public transcripts’ and ‘hidden transcripts’ at work here, as there are in Singaporean society more broadly. In public, we think it’s fair to say that the majority of Singaporeans are passive and conformist. Decades of authoritarian rule combined with generally decent standards of living and state-controlled media will tend to do that to a society. But in private spaces, Singaporeans still think; they still feel discontent and have that nagging sensation that all is not quite as it appears. However, these hidden transcripts of dissent tend not to manifest themselves in immediately visible ways. Thus our new self-appointed task has been to delve under the carpet and search out this undercurrent of opposition.


Our clandestine visit to ‘Tang Dynasty City’ was just one stop on an alternative 24-hour tour of Singapore, run by a PhD student here who delights in showing both foreigners and young Singaporeans alike the ‘seedier’ sides of the city. Most of our activities were illegal. We spent a couple of hours in a gay club, snuck around a disused, haunted hospital, wandered through a Chinese burial ground, discovered the red-light district, and broke into an indestructible house with a mysterious curse hanging over it – all in the dead of night. Aside from being fun (and pretty scary at times), it opened our eyes to the kinds of alternative narratives hidden under Singapore’s carpet of orthodoxy. The gay bar was far more open and ‘mainstream’ than we had expected – considering homosexuality is illegal in Singapore – and the haunted houses we visited were clearly also frequented by local ghost-hunting enthusiasts and grafitti-spraying youth. We realised there is unorthodox activity going on here but it has its designated place, out of the sight of foreign visitors, and indeed, of many Singaporeans.


What we saw on the tour seemed an apt metaphor for Singaporean ‘resistance’. As we were shocked to discover upon our arrival here, public protest, spontaneous gatherings and political dissent are among those things illegal under Singaporean law. Furthermore, the government invests significant time and resources in manufacturing and maintaining a climate of fear, ensuring that all but a few dissenters are either too scared or too apathetic to voice their dissent. People are unhappy with how their government runs the country, but virtually no one is willing to speak up. We have been incredibly fortunate to meet with one of the few Singaporeans who does speak out, at great personal cost, whenever he can.

Dr Chee Soon Juan used to teach here at NUS. As soon as he became involved in opposition politics, however, he was fired on tenuous grounds. But this, after all, is the National University – the University where ex-Prime Minister (and now ‘Minister Mentor’, a position of authority without precedent in any other professed democracy) Lee Kuan Yew has an entire school named in his honour; where his son (and current Prime Minister) Lee Hsien Loong studied; and where his son in turn and countless other state officials studied. Criticism of the government has been erased from the curriculum. Since his dismissal, Dr Chee has not relented in his mission to make Singapore the functioning democracy its leaders claim it to be. His party, the Singapore Democratic Party, is marginalised from mainstream politics despite having considerable (though often covert) support; he has personally suffered the abrupt ending of his academic career, repeated imprisonment, bankruptcy and continued fines for his political activity, and total demonisation and ridicule by the state-controlled media. Through making such an example of one man (and similar persecution has been acted out on a number of other dissenters in other contexts), the Singaporean government is able to maintain its society in a state of fear.

Even more frightening than this, however, is that the generation who have grown up in Singapore during the last quarter of the twentieth century have no living memory of what society was like before. They don’t remember the 60s and 70s, when student rallies could number in their thousands and to question the government was natural rather than prohibited. One twenty-something Singaporean friend of ours recalls that her uncle was once involved in some kind of activism many years ago, before being getting arrested. She doesn’t know what happened to him whilst he was in custody, and he doesn’t really speak about it, but says he was “changed” after it happened. An atmosphere of fear, secrecy and restraint pervades many popular recollections of this period. Or, even more alarmingly, activism is seen as a joke. The leftist nationalist movements that undeniably played a part in Singapore’s formal independence are reduced to comedic asides in lectures.

By now, the focus of civil society has shifted – and education is a prime example. As Dr Chee noted, the point of education is to question. And yet students in Singapore are programmed from an early age to compete with each other in the quest for ‘excellence’, rather than question authority. This can lead to some paradoxical scenarios: in one of our lectures (a Political Science class no less), the lecturer at one point broke away from the topic to state: “I’m sorry to break it to you, but Singapore is another example of an authoritarian government.” Whilst this might not appear a particularly controversial claim, it is extremely unusual in Singapore to hear such a sentiment expressed by a person in a position of authority – especially at NUS. We were surprised, then, to find that the class spontaneously burst into applause. Clearly such political sentiments are widely-held, but can’t be expressed without first being sanctioned by a figure of authority.

The paradoxical character of dissent here demonstrates that when conventional protest is proscribed, most people seek other ways of expressing their politics. What might seem like a taxi driver merely bemoaning his lot, takes on new significance given the fact that thousands of taxi drivers have had to attend a government training course instructing them to have neat hair, no BO, and to not talk to customers about “sensitive issues” such as race or state policy. A sarcastic aside by an NUS lecturer carries great weight in an academic environment that stifles the free exchange of opinion. What might seem a slight matter, of whether or not to turn up to a peaceful vigil held outside the Burmese embassy in solidarity with the monks and civilians making a stand against a military regime, becomes a decision of great consequence, between silence and massive social transgression. Our experience in Singapore has made meaningful certain academic debates emphasising the myriad, everyday forms ‘resistance’ may take. Small acts may have enormous consequences, and the fact that much discontent is hidden does not mean it isn’t there. It only means you have to spend a bit of time unearthing and exposing it.

Tree in Wandsworth

Me with a beak

Kodak building, Hemel Hempstead

Beachy Head

Boring lecture

Kampung Dato, Sibu

These pictures were taken by Carl in my mum's home town, Sibu, in Sarawak. Carl's pictures are really awesome, look at www.carlbigmore.co.uk

Peenee Potrix dresses up as a bee (& thus disproves God's existence)

Sussex-Palestine zine 2007

This zine was published following the April 2007 delegation of Sussex students to the occupied West Bank.